How draw a boundary between self and other, past time and today?

Patterns and forms in nature often resemble one another, connecting life forms in unexpected ways. So tide lines left in sand resemble the grains found in a piece of wood, and the veins in a leaf those in a hand.

The age lines in the trunk of a tree form as each outer layer covers the one preceding it and echoes its shape. This makes me think of the way past experience resurfaces as memory, receding or becoming more important at different times in our lives, as each new experience envelopes our previous states of being and yet is shaped by them.

The wrapped and layered forms in The Morphology of Forgetting explore coexistence and connection.

I dedicate this group of work to my parents, whose recent deaths have helped me appreciate memory as a way to connect through time.